Please contact them to ask about shipping. At Reverb, your safety and security is our priority. Learn more. The preamp operates at a signal level equal to a professional mixing console which gives you plenty of headroom. The high signal level makes it suitable to use as a preamp in combination with any type of power amp.
Run the Clean and Drive channels in series or parallel. If you run the Effects loop in stereo mode, the balanced outputs become a Left and Right output instead. With 10 Mohms input impedance, it handles any type of bass — passive , active, or with piezo pickups. The built-in tuner makes it easy to tune between songs without the need of an external device. The MicroBass 3 also carries an onboard compressor , similar to the one found on several EBS amplifiers. Your purchases also help protect forests, including trees traditionally used to make instruments.
We understand the importance of online privacy and are committed to complying with the EU General Data Protection Regulation. To reflect our commitment, we updated our terms and conditions. By continuing to use Reverb, you agree to these updates, and to our cookie policy. Similarly with the Previous configuration gives a full prampli trs acting on all frquences, reminiscent of Fafner. It can also connect two instruments simultanment by jack in this unit.
This is useful when using two low diffrent to balance the levels before the amp. Branch in jack for an amp, this device allows the sound to master the perfect addition to the prampli prampli bass and the amp in it even. Branch in a console mode DI XLR cable, the basic sound of the bass is compliance with all its dynamics, which allows live to have control of its envoy in restitution and a faade fid between the scne, faade and returns.
For the record ID, compared to channel strips within reason , this device allows good rsultats. A compressor and Intgr c'tait happiness intgral. It is when the same footprint EBS. This gives all kinds of sounds Describes above. This prampli can greatly embellish his modest of Ibanez and add more than the non ngligeable Vigier.
It is a device that quickly becomes indispensable rptition trs, concert and studio. This allows for two sounds Galissa levels, color, sound and quickly accessible thanks to the TRS footswitch. The mute function is apprciable if I change the bass or if I have to mute the sound completely in concert. This quickly turned the volume buttons and ending up without her without knowing if a comes from the amp or the bass.
For me there were too many blows, while the trs MicrobassII is silent, even in overdrive. The report price is good quality, although the new price has increased since I bought it I would do this choice.
It is a very practical device that allows her to take his everywhere! If you plug one low, one can use one channel A with a clean boost , or channel B alone with overdrive is not mandatory , and switch between each other with a big switch very tough.
We can use each channel sparment or together, we connect two basses at the same time successfully tested with a collgue bassist on one of A and a B.
It's heavy, sturdy, but holds in his hand and I was offered the power supply 'sector purchasing. Very easy battery change without tools in 10 seconds same system that clip on the most active low.
The finishes are impeccable, the knobs and switches are professionals. The routing is clearly explained. Since I use it also as a DI scne high-end direct to the table, a ring!
Easily obtained a good, deep, rich, we can rgler with precision. Can be assayed as one wants his bass, his AIGS, have a clean sound or a nice overdrive Russi frankly as it has its own rglage frquences to choose which it acts. I have no breath! But not really! In same industry must say that I use good cables too, help.
SOUNDS All styles should comply because the sound of the bass, all aspects of its adjustable, versatile, lots of routing options. In both cases it works! I love it! It brought me the sound I was looking for months in a position to take direct home studio bass warm and well Dfine, good attacks My conclusion: not ncessaire if you have a good amp but great in cases where it must do so without amp, like record a demo, or live branch directly on the table.
The hardware a bit expensive but trssrieux, reliable, a pleasure to use! I found nothing of equivalent quality, for me it is the best product of its range but watch out Markbass a low prampli promises to be trs good too. I never recorded with such and such a easy!
Plus goes, the more I know I'm not going to do without! Also included is a simulator lamp and particularly a smoothing filter frquences rglages based on channel A. It dpend.
The corrections are effective trs it is therefore everyone to find what he likes with his instrument fontion - Gets it easy to sound good? He who seeks a modern sound and supports me EBS is not "plug and play" must be part of another plant Fortunately, the Schematic is to make us understand how the….
Fortunately, the Schematic is to make us understand how the trait. The tube simulator, I was expecting him more heat It's been good six months now - What is the particular feature you like best and least? I love the effectiveness of corrections and the sound comes out. Yes, the Sansamp bass driver DI , the sound is perfect on the small stuff in terms of sound but do me more convinced when I pass on an EBS rig.
No comparison with BSE, which is not intended to alter the sound to make the pill of acceptable gear not great. Expensive but the quality is the price it seems Yes for the most incontestable that brings the sound and connection options making it necessary in all situations.
A little less distortion for breath. Overall, and put that part, it's a great prampli. In short, it makes a lot more things and does them well! The settings are quite sensitive, you immediately feel the difference, so it must go smoothly with the knobs if you d…. The settings are quite sensitive, you immediately feel the difference, so it must go smoothly with the knobs if you do not want to get sounds "extreme". In summary, we obtain easily and quickly the desired sound.
SOUNDS Excellent complement to a low passive attack allows the amp with a more appropriate level and without background noise. The sound can range from very clear, without any alteration to the punchy overdrive well through all intermediaries. I have not yet explored all the possibilities, but what I tried suits me perfectly! The simulator provides a small tube nice color. I use the Microbass II with an Epiphone Viola, is the perfect companion for this kind of passive bass.
This is quality material, the sound is very clean, no noise, short of serious! I made this choice by looking very positive reviews from users, and I did not find any equivalent product from the competition. I like everything about this pedal: quality material and sound, numerous features.
It's really the little box to do everything and much more! Either there is less and less good or better but much more expensive like Alembic FB I do not regret any of this purchase, the Microbass It really makes a lot of services and EBS is serious. I would do this choice without hesitation. Subscribe to our free newsletter Subscribe. Configure my preferences Accept all Our cookies. You can find more details on data protection in our privacy policy.
Select all Our cookies. Website preferences. Run the Clean and Drive channels in series or parallel. If you run the Effects loop in stereo mode, the balanced outputs become a Left and Right output instead. With 10 Mohms input impedance, it handles any type of bass — passive , active, or with piezo pickups. The built-in tuner makes it easy to tune between songs without the need of an external device. The MicroBass 3 also carries an onboard compressor , similar to the one found on several EBS amplifiers.
The setup above incorporates an external effect unit into the FX loop. This will allow stereo effects to be monitored in stereo through the Headphones Output. Click here for a video review from BassGuitarReview. Skip to content. The new, analog, 'multi-tool' for bass players!
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